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Film Studies

For Tvlse (in the manner of Pauline) Perfomance

“For Tvlse (in the manner of Pauline)” is an incredibly moving and powerful sound composition that is sure to captivate and inspire you. Created by Curatorial Advisor Kalyn Fay Barnoski, this stunning piece is performed by a group of talented local and regional community members. Drawing on Indigenous sound methodologies and Pauline Oliveros’ frameworks for “deep listening,” the composition centers around the stories and perspectives of the Osage, Cherokee, and Muscogee Nations – the Tribal Nations whose territories meet within Tulsa. Through the use of a variety of musical instruments, vocal chorus, and the incorporation of the Osage, Cherokee, and Muscogee languages, this graphic composition and performance seeks to explore the complex intersections and legacies of diaspora, dispersion, and community. By attending this performance, you will be a part of developing new locations of importance through sound and community convening. Don’t miss out on this unforgettable experience!

Guthrie Green

111 Reconciliation Way Tulsa, OK 74103

Reserve your spot here. 

Panel Discussion: Iterative and Itinerant, Models for Public Art

Join TU’s Film Department for a discussion with curators of biennial and triennial organizations to discuss their unique approaches to public art, including, Executive and Artistic Director, Counterpublic Triennial; Debra Yepa-Pappan, Co-Founder, Director of Exhibitions & Programs, Center for Native Futures; Co-Founder of The Floating Museum and Co-Curator of the Chicago Architecture Biennial 2023; James McAnally, Executive and Artistic Director, Counterpublic Triennial; Dominique Fontaine, Curator, Toronto Biennial; Faheem Majeed, Co-Founder of The Floating Museum and Co-Curator of the Chicago Architecture Biennial 2023, and Justine Ludwig, Executive Director, Creative Time.

Moderated by Allison Glenn

Panelist bios:

Debra Yepa-Pappan (Jemez Pueblo and Korean) is a visual artist, the Director of Exhibitions and Programs, and co-founder at Center for Native Futures, a dynamic contemporary arts space based in the city of Chicago that supports Native artists through exhibitions, residencies, artist services, and more. She is committed to changing inaccurate representations of Native people, and advocates for the inclusion of Native first voice and perspectives.

James McAnally is the Executive and Artistic Director of Counterpublic, a triennial civic exhibition in St. Louis, MO. Previously, McAnally was the co-founder and director of The Luminary, an expansive platform for art, thought, and action based in St. Louis. He additionally serves as the executive editor and co-founder of MARCH: a journal of art & strategy and was a founding member of Common Field, a national network of independent art spaces and organizers. McAnally has presented exhibitions, texts, and lectures at venues such as the Walker Art Center, Kadist Art Foundation, Pulitzer Arts Foundation, The Artist’s Institute, and Gwangju Biennale. McAnally’s writing has appeared in publications such as Art in America, Artnet, Art Journal, Bomb Magazine, Hyperallergic, Terremoto, and many others, and his publications are in the collections of the Museum of Modern Art, Smithsonian Museum of American Art, Los Angeles County Museum of Art (LACMA), and Harvard Art Museum. McAnally is a recipient of the Creative Capital | Andy Warhol Foundation Arts Writers Grant for Short-Form Writing.

Dominique Fontaine is a curator. She is co-curating the 2024 edition of the Toronto Biennial of Art (TBA). She graduated in visual arts and arts administration from the University of Ottawa (Canada), and completed the De Appel Curatorial Programme (Amsterdam, the Netherlands). Her interests lie in the social role of art in a plural world. Motivated by the emerging challenges confronting museums, she pursued museology studies at the Université de Montréal.

Dominique’s recent projects include Imaginaires souverains, Le présent, modes d’emploi, Maison de la culture Janine-Sutto; Foire en art actuel de Québec 2020; Here We Are Here: Black Canadian Contemporary Art; Dineo Seshee Bopape: and- in. the light of this._______, Darling Foundry; Repérages ou À la découverte de notre monde ou Sans titre, articule; Between the earth and the sky, the possibility of everything, Scotiabank Nuit Blanche Toronto 2014. Dominique is co-initiator of the Black Curators Forum; is a member of AICA-Canada, the American Association of Museum Curators (AAMC,) and of the International Contemporary Art Curators Association (IKT); and is also part of Intervals Collective. Dominique Fontaine is laureate of Black History Month of the City of Montreal 2021.

Faheem Majeed is an artist, educator, curator, and community facilitator. He blends his unique experience as a non-profit administrator, curator, and artist to create works that focus on institutional critique and exhibitions that leverage collaboration to engage his immediate, and the broader community, in meaningful dialogue. He is the co-founder/co-director of the arts collective Floating Museum. Majeed received his BFA from Howard University and his MFA from the University of Illinois at Chicago (UIC).

Justine Ludwig is a curator and writer who currently serves as the Executive Director of Creative Time, New York’s vanguard public art organization. Previously held curatorial positions include the Contemporary Arts Center in Cincinnati and Dallas Contemporary. She has curated projects with many artists including Shilpa Gupta, Nadia Kaabi-Linke, Pedro Reyes, Laercio Redondo, Paola Pivi, and Pia Camil. Her research interests include the intersections of aesthetics and architecture, violence, economics, and globalization. Ludwig has an MA in Global Arts from Goldsmiths University of London and a BA in Art with a concentration in Art History from Colby College.

Chant Down: Powerful Performance that Explores Traditional Caribbean songs

“Chant Down” is a powerful performance that explores traditional Caribbean songs and the anticolonial legacies that shaped ancestral percussive and chanting techniques. The collective chanting of the performers seeks to access the vibrational registers where the history of Black and Indigenous struggle is preserved. This experimental vocal and percussive ensemble weaves together multiple Caribbean and Latin American musical traditions, connected by a rhythmic tissue that brings together sonic practices that have played a significant role in the political history of the Americas. “Chant Down” is not just a performance; it is a call to action that aims to rescue these sonic practices and recover them for a contemporary understanding of their value, relevance, and political potential. By participating in “Chant Down,” you will experience the power of music to create social change.

Reserve your spot here. 

Opening Reception: “We Have Arrived”

We Have Arrived is a group exhibition, which takes its name from the English translation of José Luis Vargas’ painting ya llegamos. The exhibition explores Afro-Indigenous histories of Tvlse/Tulsa and beyond, through the work of contemporary visual artists, including Antonio Andrews (No Parking Studios), Ashanti Chaplin, Elisa Harkins, Sterlin Harjo, Natani Notah, Nathan Young, and others.

An Indigenous-run art gallery and cafe called Territory Indigenous Art (TIA) is in development in Tulsa, Oklahoma/Indian Territory, with collaborators Yatika Starr Fields, James Rattling Leaf, and Jordan Poorman Cocker. The image used for the exhibition is José Luis Vargas’ ya llegamos, which is an oil and glaze on canvas piece that measures 79 x 89 ½ inches.

Location to be announced.

Reserve your spot here. 

Breakfast at Kalup Linzy’s Queen Rose Art House

The Queen Rose Art House, founded in 2021 by interdisciplinary artist Kalup Linzy, is a social and critical art space that engages with local, national, and international art communities. The upcoming exhibition, Ancient.Modern.Futuristic, curated by Linzy, will feature artworks that provoke dialogue around ancient, modern, and future sovereignties. The exhibition will kick off with a breakfast and opening reception. The Queen Rose Art House hosts a variety of events, including gatherings, performances, exhibitions, screenings, symposiums, and short-term artist residencies, to inspire and create a safe space for artists to dwell.

Queen Rose Art House

843 North Birmingham Place Tulsa, OK 74110

Reserve your spot here. 

Food Sovereignty

The Sovereign Futures gathering is set to take place at the Harvest Land Farm of the Osage Nation – a program site that holds great significance. To make the event even more special, Chef Ben Jacobs from the Osage tribe will be cooking a traditional Osage meal for the attendees, using ingredients sourced from Clark-Asberry Homestead Ranch – one of the last independently owned Black farms in Tulsa County – and Osage Nation’s Harvest Land Farm. By showcasing the culinary heritage of the Osage tribe and supporting independent Black farming, Sovereign Futures is not only providing a unique experience but also promoting cultural diversity and social justice. Don’t miss out on this one-of-a-kind event!

Osage Nation Harvest Land Farm

102 Midland Avenue Pawhuska, OK 74056

3K Run/Walk led by Yatika Starr Fields

Looking for an exciting way to celebrate Native American culture and explore the great outdoors? Join TU’s Film Department for a 3K Run with the inspiring Curatorial Advisor, Yatika Starr Fields. Fields is an accomplished distance runner who has participated in several ultra-marathons, including the 2019 Ultra-Trail du Mont-Blanc in Chamonix, France. As an artist, Fields is passionate about exploring themes of family, community, and cultural differences, especially in terms of their significance for Native Americans. He is also actively involved in collective efforts to increase visibility, participation, and acknowledgment of Indigenous voices, places, and people in outdoor pursuits. Don’t miss this unique opportunity to connect with nature and learn about the rich cultural heritage of Native Americans. Join us for the 3K Run with Yatika Starr Fields, and experience the thrill of running while celebrating diversity and inclusivity.

Reserve a spot here. 

Film Screening : Lex Brown “Carnelian”

Join TU’s Department of Film Studies for the film screening of Carnelian, a contemporary mythology, created as an artifact for a deep future. Named for the stone which is believed to give courage in speaking, Carnelian is an eclectic musical work that exists as film, live performance, and album. At the List Center, Brown debuted the piece as an immersive 3-channel video installation alongside a quartet of significant new paintings.

In three acts – Dawn, Afternoon, Dusk – three characters await the imminent arrival of a cataclysmic event, referred to as the “Boom.” With songs and script written by Brown and co-composed by Samuel Beebe, the work offers a complex take on contemporary conditions marked by polarizing rhetoric, authoritarian structures, and the looming threat of human extinction. Brown based the characters — Necyria, Orachrysops, and Bicyclus, and the Auctioneer — on archetypes associated with the animistic qualities ascribed to fire, earth, air, and the void. Each character contends with their own definition of power, whether it be natural, political, technological, or spectacular.

Riffing on both the ancient and technological understandings of ‘the scroll,’ this new, single-channel adaptation of the film moves through each of the three characters in their distinct environments. Evoking early cinematic technology such as the cyclorama and the zoetrope, the continuous and modulated motion speaks to the ever-constant pace of contemporary life.

Film Studies Casting Call

Two classes in the Department of Film Studies are casting for student short projects. All ages and levels of experience are welcome; open to TU students, faculty, and staff. Sides/scripts will be given for the audition.

Register online.

TU Spring Film Festival

The TU Film Studies Department presents the 16th Annual TU Spring Film Festival, the university’s only juried film festival. Exclusively featuring student work, the festival awards Best Fiction, Best Non-Fiction, Best Actor, Best Cinematographer, Best Score, and an award for audience favorite. The members of the Film Department also present the Joseph A. Kestner Award and the award for Outstanding Senior.