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SASA Formal

TU students are invited to join the South Asian Student Association as they host a formal, as a General Body Meeting. The dress code for males is a suit and tie, dress code for females is a formal dress (preferably long). There will be snacks, desserts, and dancing!

Grand Opening Event: Chevron Multicultural Center

Join the Office for Diversity, Equity, and Inclusion as we open the new Chevron Multicultural Center! This space is dedicated to foster belonging and inclusion for our Multicultural Student Organizations, as well as the entire campus community – faculty, staff, and students! There will be food, music, zero-alcoholic drinks, games and door prizes! See you there!

After Sherman showing with guest discussant Akua Page

TU community join the Office for Diversity, Equity and Inclusion for the showing of After Sherman with guest speaker Akua Page. Explore South Carolina’s Black inheritance and trauma focusing on the resilience of the Gullah Geechee culture.

Energy on Tribal Lands – A Sustainable Energy and Resources Law Conversation

You’re invited to an enlightening event on Energy on Tribal Lands. Join TU’s College of Law to hear from Professor and Sustainable Energy and Resources Law (SERL) Director Warigia Bowman, guest speakers Tahlina Nofire (Cherokee Nation) and Travis Hallam (Mandan, Hidatsa and Arikara Nation), and moderator Professor Marc Roark for a compelling conversation.

After the event, you’ll have the opportunity to network and mingle with like-minded individuals during the reception in the Pit.

Don’t miss out on this unique opportunity. RSVP to Natasha Odom at natasha-odom@utulsa.edu by April 5 to secure your spot.

 

Killers of the Flower Moon Screening

Join the Undergraduate Native American Student Association for a viewing of the Killers of the Flower Moon in the Alcove room on the second floor. All are welcome. There will be snacks provided.

Free Veggie Lunch

TU community join the Little Blue House for a FREE vegetarian lunch every Wednesday at noon!

Free Veggie Lunch

TU community join the Little Blue House for a FREE vegetarian lunch every Wednesday at noon!

For Tvlse (in the manner of Pauline) Perfomance

“For Tvlse (in the manner of Pauline)” is an incredibly moving and powerful sound composition that is sure to captivate and inspire you. Created by Curatorial Advisor Kalyn Fay Barnoski, this stunning piece is performed by a group of talented local and regional community members. Drawing on Indigenous sound methodologies and Pauline Oliveros’ frameworks for “deep listening,” the composition centers around the stories and perspectives of the Osage, Cherokee, and Muscogee Nations – the Tribal Nations whose territories meet within Tulsa. Through the use of a variety of musical instruments, vocal chorus, and the incorporation of the Osage, Cherokee, and Muscogee languages, this graphic composition and performance seeks to explore the complex intersections and legacies of diaspora, dispersion, and community. By attending this performance, you will be a part of developing new locations of importance through sound and community convening. Don’t miss out on this unforgettable experience!

Guthrie Green

111 Reconciliation Way Tulsa, OK 74103

Reserve your spot here. 

Panel Discussion: Iterative and Itinerant, Models for Public Art

Join TU’s Film Department for a discussion with curators of biennial and triennial organizations to discuss their unique approaches to public art, including, Executive and Artistic Director, Counterpublic Triennial; Debra Yepa-Pappan, Co-Founder, Director of Exhibitions & Programs, Center for Native Futures; Co-Founder of The Floating Museum and Co-Curator of the Chicago Architecture Biennial 2023; James McAnally, Executive and Artistic Director, Counterpublic Triennial; Dominique Fontaine, Curator, Toronto Biennial; Faheem Majeed, Co-Founder of The Floating Museum and Co-Curator of the Chicago Architecture Biennial 2023, and Justine Ludwig, Executive Director, Creative Time.

Moderated by Allison Glenn

Panelist bios:

Debra Yepa-Pappan (Jemez Pueblo and Korean) is a visual artist, the Director of Exhibitions and Programs, and co-founder at Center for Native Futures, a dynamic contemporary arts space based in the city of Chicago that supports Native artists through exhibitions, residencies, artist services, and more. She is committed to changing inaccurate representations of Native people, and advocates for the inclusion of Native first voice and perspectives.

James McAnally is the Executive and Artistic Director of Counterpublic, a triennial civic exhibition in St. Louis, MO. Previously, McAnally was the co-founder and director of The Luminary, an expansive platform for art, thought, and action based in St. Louis. He additionally serves as the executive editor and co-founder of MARCH: a journal of art & strategy and was a founding member of Common Field, a national network of independent art spaces and organizers. McAnally has presented exhibitions, texts, and lectures at venues such as the Walker Art Center, Kadist Art Foundation, Pulitzer Arts Foundation, The Artist’s Institute, and Gwangju Biennale. McAnally’s writing has appeared in publications such as Art in America, Artnet, Art Journal, Bomb Magazine, Hyperallergic, Terremoto, and many others, and his publications are in the collections of the Museum of Modern Art, Smithsonian Museum of American Art, Los Angeles County Museum of Art (LACMA), and Harvard Art Museum. McAnally is a recipient of the Creative Capital | Andy Warhol Foundation Arts Writers Grant for Short-Form Writing.

Dominique Fontaine is a curator. She is co-curating the 2024 edition of the Toronto Biennial of Art (TBA). She graduated in visual arts and arts administration from the University of Ottawa (Canada), and completed the De Appel Curatorial Programme (Amsterdam, the Netherlands). Her interests lie in the social role of art in a plural world. Motivated by the emerging challenges confronting museums, she pursued museology studies at the Université de Montréal.

Dominique’s recent projects include Imaginaires souverains, Le présent, modes d’emploi, Maison de la culture Janine-Sutto; Foire en art actuel de Québec 2020; Here We Are Here: Black Canadian Contemporary Art; Dineo Seshee Bopape: and- in. the light of this._______, Darling Foundry; Repérages ou À la découverte de notre monde ou Sans titre, articule; Between the earth and the sky, the possibility of everything, Scotiabank Nuit Blanche Toronto 2014. Dominique is co-initiator of the Black Curators Forum; is a member of AICA-Canada, the American Association of Museum Curators (AAMC,) and of the International Contemporary Art Curators Association (IKT); and is also part of Intervals Collective. Dominique Fontaine is laureate of Black History Month of the City of Montreal 2021.

Faheem Majeed is an artist, educator, curator, and community facilitator. He blends his unique experience as a non-profit administrator, curator, and artist to create works that focus on institutional critique and exhibitions that leverage collaboration to engage his immediate, and the broader community, in meaningful dialogue. He is the co-founder/co-director of the arts collective Floating Museum. Majeed received his BFA from Howard University and his MFA from the University of Illinois at Chicago (UIC).

Justine Ludwig is a curator and writer who currently serves as the Executive Director of Creative Time, New York’s vanguard public art organization. Previously held curatorial positions include the Contemporary Arts Center in Cincinnati and Dallas Contemporary. She has curated projects with many artists including Shilpa Gupta, Nadia Kaabi-Linke, Pedro Reyes, Laercio Redondo, Paola Pivi, and Pia Camil. Her research interests include the intersections of aesthetics and architecture, violence, economics, and globalization. Ludwig has an MA in Global Arts from Goldsmiths University of London and a BA in Art with a concentration in Art History from Colby College.